LEAP 47 | SPRING/SUMMER 2018

If there is a common denominator to this issue of LEAP, it’s video. We have Zhang Peili, the first artist to make video ....

COVER FEATURE

On “Trade Markings”: Frontiers As Interfaces, Imaginaries With Responsibilities And Response-abilities

View of “Frontier Imaginaries: Trade Markings,” 2018, Van Abbemuseum, Nederland. Courtes....

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Yin-ju Chen: Invisible Links
POSTS
September 12, 2016

Taiwanese artist Yin-ju Chen often places herself in a position both perilous and challenging: by means of an approach b....

On Trade Markings: Frontiers As Interfaces, Imaginaries With Responsibilities And Response-abilities
FEATURES
July 13, 2018

View of “Frontier Imaginaries: Trade Markings,” 2018, Van Abbemuseum, Nederland. Courtesy of Van Abbe Museum....

Ephemeral “Wetland”
REVIEWS
July 12, 2018

       Steffen Bunte, Canto, 2018, sculpture, mixed media, 123 x 120 x 100 cm. Courtesy of Open Forum “Wetland” exists i....

Despite the torrential rains that stuttered throughout the week, the fou....

The LA Art Book Fair, a spinoff of the New York Art Book Fair founded an....

LEAP Forum is an initiative of Modern Art, Modern Media Group’s art plat....

On the afternoon of April 26, LEAP celebrated the release of its April i....

POSTS

Oscar Murillo : Room Service et résistance

En mars dernier, alors qu’Art Basel venait d’ouvrir ses portes à Hong Kong, nous apprîmes qu’Oscar Murillo avait été placé en détention puis expulsé du territoire australien, après avoir déchiré son passeport britannique sur la route qui le....

POSTS

Tromarama: I Don’t Know What I’m Doing and Why I Keep Doing It

My first encounter with Tromarama was through the video Ting* in 2008. I was captivated by their stop-motion animation of a group of cups, mugs, and dishes moving along, looking for adventure on an ordinary day in the kitchen cupboards, wit....

POSTS

Amy Yao: Bay of Smokes

A foam machine gushes a massive cloud of soap lather from a black oil barrel in the courtyard. Plastic flowers stick out from a miniature blue Hanjin shipping container in the foyer. A bucket of murky peanut oil, collected from a trendy loc....

POSTS

Sascha Braunig : The Hollow Body

To encounter the paintings of Sascha Braunig is to be confronted with an unsettling, hypnotic world. She creates portraits of figures dissolving within their own borders, moving in and out of corporeality and bending the laws of reality. In....

POSTS

Transvestite Transliteration: The case of Uyghur versus Atatürk

All across Xinjiang, the logograms of the Chinese language sit smugly below the teeth of the Uyghur Arabic script, each pictograph a comfortable caramel morsel in the mouth of the molar abjad. If there is a home for the Turkic languages, a ....

POSTS

Time as Provocation: on “Wang Bing: Three Portraits”

For the increasingly urbanized Chinese population, web and mobile apps like Taobao expedite various social and monetary transactions, whether to schedule wakeup calls from fictitious boyfriends and girlfriends or seek a graphic designer for....

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